Finding music you can use in your podcast

April 9th, 2008

There are a number of ways to add music, sound effects and other auditory backgrounds to your blog or podcast that won’t cost you a cent.

Free loops

A sound loop is a short sound sample or piece of music which is designed to be repeated over and over again seamlessly without any evident beginning or end.

Longer musical tracks designed to run underneath spoken voice to lend an atmosphere to the conversation are called the musical bed or soundbed.

Some audio editing tools provide royalty-free loops that can be added to podcasts or vidcasts royalty free.

For example, Apple’s low-cost Garageband includes 200 sound effects including radio-style stingers and sounds from people, animals, and machines and a library of more than a hundred 7, 15, and 30-second jingle loops that can be used in your podcast.

Adobe’s much more expensive Audition includes thousands of 32-bit, uncompressed, royalty-free audio loops and soundbeds in over 20 different musical styles ranging from rockabilly to cocktail jazz and classical to funk.

Podsafe Music Network

The Podsafe Music Network is an on-line collection of music that can be played as part of a podcast without having to pay a licensing fee. This site is part of the PodShow Network, founded by former MTV VJ and podcasting pioneer Adam Curry.

All too often when I get in to a discussion about “free” music with other video producers they roll their eyes and declare it is all awful. Not true. For example, one of the podcasts I listen to regularly is an Irish tech site,

The Podsafe Music Network provides an on-line collection of music that can be included as part of a podcast without having to pay a licensing fee.

In order to use podsafe music, you are required to mention the song, the artist and the Podsafe Network. Shows that use music from this network often begin each show with a statement t like “We kick off the show with “NAME OF SONG BY BAND” from the Podsafe Network. It only takes a few seconds to cite the artists which seems a worthwhile trade for what you get.

Most of the music published on the Podsafe Network is published under an open source agreement called the Creative Commons.

Public domain

Works placed in the public domain are free from any copyright restrictions, and you may use them anyway you like without need to sign a contact or pay for that right.

Using music published under the Creative Commons

The Creative Commons is a non-profit organization devoted to coming up with flexible licensing arrangements that allow copyright holders to share their property with others without losing complete control of that work.

Creative Commons offers several different licensing agreements, each of which specifies what rights are being waived by the copyright holder. Each song published under Creative Commons is made available at no charge, but the conditions under which it can be used vary. Some agreements preclude use of the original recording in a for-profit work; or you might be prevented from altering the material; or it might be used in works that will also be released under a Creative Commons agreement. Read the contract before you use an audio or video clip running under a creative agreement.

If the contract has clauses that bother you, contact the copyright holder to see if they are willing to scratch that clause. In many cases, you will find the copyright holder is eager to find a new audience and may be more than willing to work with you.

The Creative Commons website provides links to search engines that can be used to look for songs and other types of files published under the Creative Commons.

Creative Commons offers several standard types of agreements under which audio files that can be freely copied are released. You can use the proper official CC logo to quickly identify the type of license the material is run under.

Searching the Creative Commons

There are several good ways to look for songs, sound effects and background audio listed as part of the Creative Commons.

Magnatune

Most music offered under Magnatune is royalty free for podcasts that earn under $1000 per year, with no permission required from Magnatune.
Songs can also be purchased for use with commercial podcasts. See the website for costs. If the podcast has speaking in it,  you are required to embed a sentence describing the song, the author and that you got it from Magnatune.  Or you can refer to the song in the show notes or associated web site.

Opsound

Opsound provides a search tool for looking for and sampling open-source music and sound clips.

The Opsound website provides an easy-to-use interface for browsing (listening to) thousands of open source music clips arranged by genre or by artist. If you find a clip you like, and would like to use it, you can follow the links provided to download the music, to look at the license the music is published under, or to email the clip’s owner to renegotiate the contract. In many cases, the music’s owner will be glad to amend their contract and allow you to retain control of your work.

Soundclick

This search engine is slicker, providing things like album covers to go with the music, but does not make it as easy to see the contract the music is published under or to contact the artist.

Shockwave-Sound

Shockwave-Sound sells royalty-free music, loops and sound effects for a one-time fee.

Sound effects, songs and loops are all available. Most songs are priced between $20 (for a 30 second loop) and $50 (for several versions of a song) for up to 5,000 plays. The website provides details about additional fees that may be charged.

The Freesound Project

The Freesound Project is a collaborative database of Creative Commons licensed sounds. Freesound focuses only on sounds, not songs. If you need the sounds of birds chirping, wine glasses clinking or street noises, this is the place to go.

indie heaven

Allows you to listen to a wide range of independent music. If you like what you hear, you can email the artist to work out a deal.

Freeplay

Free music for non commercial use. Low cost for commercial use.

Sound dogs

A library of over 280,000 sound effects available for immediate download in six different file formats. Most of their sound effects are a couple of seconds long and cost a couple of bucks.

Creating custom web services using YouTube’s new API

March 18th, 2008

Wanna create a custom video channel on the cheap? Google/YouTube has long been the way to go. Yes, up to now, all YouTube channels tended to look alike. No surprise since they were all built using same generic YouTube components. That’s all changing thanks to the arrival of the new YouTube API which allows developers to create custom interfaces that are every bit as varied and innovative as the video they serve out.

Truth be told there’s not a whole lot of new functionality provided with this new release. What’s different is that developers have finally been given a great deal of control over the interfaces used to present video and solicit responses from an audience. For example, you get tools and techniques for altering the look and feel of the YouTube player or for substituting a flash player of your own design into your website. Setting up interfaces to search through video, present associated data, and solicit video feedback from users is similarly easy.

 

 

YouTube provides a slew of case studies featuring companies who successfully created customized interfaces using this new API. My favorite is a YouTube enabled site from UC Berkeley which uses this platform to offer more than 600 hours of videotaped courses and events. That’s an awful lot of video being served out for free. Even better, the new tools allow Berkeley to create web pages highly customized to meet the needs of Berkeley’s students. When a student logs into her Physics 101 site she can choose to review other students comments before playing a video of a lecture she missed, or make sure that the lecture is short enough to view in the time she has available. When the lecture is over she can also insert her own written or video comments or sample the next lecture from within the same web page the first video was streamed from.

Google saves Berkeley a lot of money by handling all the trans- coding, hosting, streaming and thumb nailing. Google also provides easy access to an enormous global audience. It is a great way to generate traffic to a web site, visibility for a brand, or support for your cause.

YouTube’s approach is not for everyone. The YouTube license is much more restrictive than the one provided by expensive pay services. For example, Google contractually obligates you to insert the YouTube menu atop every page and restricts the commercial use of video hosted on YouTube. Nor is YouTube’s new 480×360 resolution going to impress clients of wedding videographers and most corporate videographers.

Creating YouTube interfaces ain’t brain surgery, but it’s harder than just pasting a URL into a web page as is required to embed a classic YouTube player window. Google provides good code samples and thorough documentation, but you need to understand the rudiments of JavaScript or Flash ActionScript to pull it off. If you or your webmaster can follow this video you can master the new API.

Google/YouTube already dominates a good chunk of the streaming world and is quickly becoming ever more powerful. Google is partnering with Apple to extend iPhone programmability and building its own video phone language that is going to be adopted by many of the major cell phone companies. More importantly Google has bought up lots of excess fibre capacity from major telecommunication companies and installed a huge number of server complexes all over the US. Google’s video services will keep getting bigger and richer. Videographers who take the time to master Google/Youtube’s technology will profit from their efforts.

 

 

Vancouver Film School/YouTube Scholarship Competition

March 18th, 2008

Google/YouTube is sponsoring a competition that is going to win three lucky film makers a full scholarship to the Vancouver Film School this Fall. To enter, submit a short film, animation, or creative pitch between March 18th and May 9th addressing the theme “What Matters to You”. Details about how and where to submit your film can be found here. On May 20th the VancouverFilm School will post videos from the top 10 finalists. From May 20th to May 27th, members of the YouTube community can view the top 10 and vote for their favorites. YouTube will announce the three scholarship winners on May 30th.